Rajiv Mohabir
Hybrid Unidentified Whale
Is it any shock that in loss
we compensate? How emptiness
is like a coral, a something,
that strews its intestines
then chokes another head
with its greedy bowels.
Poets gather at this bed, drawn
like rorquals to krill blooms
to the metaphor’s perfume
of being the first or the only
of your kind. Scientists listen:
a blue or fin? Or is it a sei? A mix
of the dying out? Whatever
beast calls out will never
know itself through the mirror
of another, as populations collapse
and the sea empties and no others
can process its cries into music.
I want to cast such song-frequency
with lines about how shells
gouge my feet when I keep up
with you foot for foot,
or how I’ve noticed
that you stop looking back
for me, but researchers
can no longer hear
its strain. Sometimes I call
into the abyss for so long
it reaches back and slides
down my throat.
Rajiv Mohabir is the author of The Cowherd’s Son (Tupelo Press 2017, winner of the 2015 Kundiman Prize) and The Taxidermist’s Cut (Four Way Books 2016, winner of the Four Way Books Intro to Poetry Prize, Finalist for the Lambda Literary Award for Gay Poetry in 2017). In 2015 he was a winner of the AWP Intro Journals Award. His poetry appears and is forthcoming from journals like POETRY, New England Review, Kenyon Review, Quarterly West, and Prairie Schooner. He received his MFA in Poetry and Translation from at Queens College, CUNY and his PhD in English from the University of Hawai`i. Currently he is an Assistant Professor of poetry at Auburn University.