Emilia Phillips
If You Wanna Make Sense Watcha Lookin at Me For
on old muscle relaxers my head’s
woolly
as if my thoughts were
burrs in a lamb’s unwashed
fleece my
heart’s spun
cotton the plumber calls my
dishwasher she
and pats her broad side
like the flank of a beloved
heifer
I downloaded
an app that allows me to wake
up to bird
song of my own
choosing brown creeper
Tennessee
warbler white-throated
sparrow but I curse
the winged
things that stalk my window
little synesthetes that scream
sun sun the
neighbor who blames us
for her dog barking has a wild
rose I want to
dig up in the night and remove
to my dreams after carrying boxes
up and down
the stairs my back seizes
like that monkfish I pan-fried
too long until
it writhed and flipped in the pan
the dead rise again I thought
and wondered how
I could ever trust myself with leaving
this earth without leaving
the eye on
and burning the whole place down
Moonpie
Some days I want to sit in my sadness
like a parked car, engine still
hot but breathing, waiting for
a song to end. But some never
do. I suppose I’ll
die with someone else’s lyrics
on my lips—something catchy
but shallow like
do you believe
in life after love?
or move
that big ass ‘round so I can work
on that zipper, bay-bee—
and want to go out
that way. When there’s joy
sitting in me
like some impossible
watermelon from an accidentally
swallowed seed, I know
I’m just forgetting
something. On route 15,
there’s a barn called Gateway
Candyland & Liquors,
and despite myself
I trust a place with an honest
name. Sometimes I want to crush
my joy like a bummed
smoke I shouldn’t have
even had
under my heel. I can keep
a crush tended for years
unseen like a lantern
with all its panes
boot-blacked out. Among the bins
of sugar, and their dull musical
spill into sacks, the shelves of flavored vodkas
and blue curaçao,
they must have a Moonpie,
that featherbed
of marshmallow and graham-flavored
sponge coated
in starched chocolate. Yes, I belong to my excesses,
me with this jukebox
for a heart, and still
—yes, still—
that kiss once
on the dancefloor of Allen Gold’s, sweat and slick
melted Jell-O
shots. Beyond
absolutes, everything
or nothing, neither
all nor none of what I am—
her teeth got in the way.
Emilia Phillips is the author of two poetry collections from the University of Akron Press, Signaletics (2013) and Groundspeed (2016), and three chapbooks, most recently Beneath the Ice Fish Like Souls Look Alike (Bull City Press, 2015). Her poems and lyric essays appear widely in literary publications including Agni, Boston Review, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. Her third book, Empty Clip, will be published by the University of Akron Press Spring 2018.