Allison Titus
THE DEPARTMENT OF QUIET FAILURES
Body, are you harmless placebo & petal & quick to vanish into the basements
of your youth record skipping fuzzed-out zenith
dim bulbs eternal are you spin the bottle
are you too nostalgic a late bloomer
are you heatwave summer in the woods behind the school summer spent
flush summer that trespassed in the gloaming
are you landline confessional or private in your station
are you keeping time, basking in the flux
of it the crux of the meanwhile
are you ancient around the bonfires we lit white hot wingtip
strobes from planes mimicking stars
are you plush the thicket
are you late in the game
are you good for nothing in the face of it?
are you holding out for more though the hour grows late
are you elegant in your refusal
are you tending the rookie phlox so careful
kneeling in the dirt
on the little span of earth
that holds you in place?
are you listening
are you finally coming to
in the aftermath
of the latest disaster
are you rehearsing the worst-case scenario
are you even who you say you are anymore
are you gentle with the endings i.e., the letting go
the way the sunlight deepens to shadow
& you’re sitting by the phone
two weeks
& still no word
are you held by silence
are you standing just off-camera & ready
to plead your existence: let alone worthy let alone
worthwhile
to the Board who wants to know are you productive or sentient
before they come to a consensus
Here in the Department of Quiet Failures
Here where you are waiting
so tender in your body
of grief.
Allison Titus is the author of two collections of poetry (THE TRUE BOOK OF ANIMAL HOMES: Saturnalia Press, and SUM OF EVERY LOST SHIP: Cleveland State University); several chapbooks (most recently SOB STORY: Barrelhouse, and TOPOGRAPHY OF TEARS: Artifact Press); and a novel (THE ARSONIST'S SONG HAS NOTHING TO DO WITH FIRE: Etruscan Press). She works at an ad agency and teaches in the low-res MFA program at New England College.